Fine Art and Editorial Portraits

Fine Art Portraits-

Both of the portraits above were taken by famous American Photojournalist Steve McCurry. I chose both of my examples of fine art portraits to be taken by McCurry because I was very fascinated by how all of his portraits highlight his subject's eyes. I think that eyes can tell a lot about a person, and that by making them such a major focus in his work creates a personal attachment between the photos and the viewers because of the emotion they may experience or perceive from it.

Editorial Portraits-

The first of these two editorial portraits was taken by Kremer Johnson, and the second by Jean-Yves Lemoigne. In the portrait by Kremer, although I am not really sure of what it is advertising, I am fond of his use of lighting that not only illuminates his subject in a way that really draws in the viewer's attention, but also blends in with the scene, really making everything seem in place. At least in editorial portraits, I favor those that are seemingly chaotic and busy, but in a way where everything seems in place. While this style is prevalent in Kremer's portrait, I think that it really shines in Lemoigne's one. I have always been amused by Old Spice advertisements in the past, both in videos and pictures, and this is no exception. In this photo, the aspect that really interests me is how Lemoigne was able to include a man with a secondary eagle head, who is holding three different Old Spice products in his hand a woman in the other while still making it visually appealing.

Comparison-

I think that both styles of portrait photography are equally interesting, and while are in some ways similar in theory, have very distant purposes. While fine art portraits exceed of capturing real emotion and real feelings to make a connection with or send a message to the viewer, editorial portraits exceed in their own way by creating amusement and interest in the hope of enticing the viewer to purchase something.

The Farm Security Administration

The Farm Security Administration, or FSA, was created in 1935, during the middle of the Great Depression, as a program that would help combat rural poverty. Over the next ten years since the program's creation, photographers were hired to document the conditions faced by the poor farmers.

Below are some contemporary photos reminiscent of those taken my the FSA.

Stanko Abadic

Imogen Cunningham

Walker Evans

Born in 1903, Walker Evans moved east to New York from his hometown in Missouri to pursue a career in art and photography. After doing several works there, he took photographs of Cuba as he documented their dictatorship. He later became a photographer for the FSA, working their for 3 years, mostly in the south. Many of his photos are portraits of the struggling farmers during the Great Depression, and the photos shown below show his ability to capture the emotions of his subjects in his photos.

Jack Delano

Jack Delano was a photographer for the FSA who was born in present-day Ukraine and moved to New York in 1923 at the age of 9. He studied graphic arts and photography at the Settlement Music School, and later at the Pennsylvania Academy of Fine Arts. He started his career with individual projects, but eventually landed a position with the FSA, where he later became well known. Below are some examples of his photos.

Motion

Part 1:

Blentley (panning)

Ali Qayyum (slow motion)

Aske Holst (freeze action)

Dean Ayres (total motion)

Eliza Mae Magzino (camera shake)

Part 2:

Octavio Campos Salles (panning)

Mike Atkinson (freeze action)

Part 2:

While the photo from Mike Atkinson used freeze action to create a clear picture of both the bird and the background, Octavio Campos Salles used panning to capture the motion and speed of the bird photographed. I think that this extra dynamic in his photo makes it more expressive than Atkinson's and aside from the motion techniques used by both artists, I also really like how the bright colors of the bird pictured by Salles contrast with the dark background, making it the most visually appealing of the two photos.

Part 3:

(panning)

(slow motion)

(freeze action)

(total motion)